Biography

BNATE LALLA MNANA 2013 EPISODE 8

Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive. Skip to main content. Karima asks them to gather around and pay attention. She breaks a vase saying that she will never accept it and walks into her room. He even had one of his servants monitor Karima so as to keep her from doing anything that might bring shame to his name. Aicha Episode 1, Moments later, their sister Rhimou asked them to put an end to it and not to embarrass them in front of the neighbors.

Mounia, Karima and Hajj Bahi Episode 1, Embedded in this scene is another stereotype which was previously talked about which is the animosity between mother in laws and wives. Mounia blames her sister of being mean and the latter warns her of men and claims that all they want to do is put women under their shoes. Another woman interrupts by saying that if men without women are useless then the opposite is true as well. Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. Analysis of the Images of Women It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home.

After that they all leave the villa. One of the women, Amina who is played by Noura Skalli, complains to her husband about the unpleasant smell there and sarcastically wonders if there was no water or soap around for people to smell that bad.

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Upon noticing him, the women scream and warn one another that there is a man watching them. She speaks about the inequality that they suffer from and that men are the only ones who are privileged. Subsequently, the analysis chapter will contain two examples of Moroccan series that were aired on the two main Moroccan channels so as to give a more representative and objective view about how women are represented in Moroccan television.

Analysis of the Images of Women 1.

After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact lenses. This woman, named Sfiya, turned out to be his mother, she complained to Mennana, her daughter in law, and blamed her for not allowing her son to see her neither in life nor death.

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After a few moments, they arrive at the well where the women gather to fetch water. It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home.

Fpisode noticing what Hajj Bahi is planning to do, Amina quickly pulls her husband and walks towards Hajj Bahi and Rachid to sabotage his plan by showing him that Karima has a hot-tempered nature.

They, then, resume their slogans and leave the ceremony. Karima makes it clear that neither him, the belt nor the villagers can keep her quiet. In this scene we notice a shift from the urban area to a rural one.

Analysis of the Images of Women Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women. He says that he cannot wait lalpa wed her and have bhate as his lawful wife. Hajj blames Hssina, a servant, for not keeping an eye on Karima like he was told.

The Representation of Women in Moroccan Television | Zak Boukhriss –

In this scene, the common conception of women being gossipers and complaining about everything is vividly reinforced. She then started to tell Rhimou how much she is fond of her out of all her sisters.

Another aspect of the misrepresentation of women is that they are repeatedly shown in a position where they heartlessly speak about banal things the new fridge in this case or trying to seek personal benefit promoting her merchandize in the most opportune of moments without regard to the personal feelings of others. He apologizes to her for being disrespectful and worrying about his shoe when she has just 19 Bnat La La Mnana, Episode 1 www.

Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive.

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After looking at her face, Hajj shouts at her because apparently she was wearing make-up. Hanae is a nice person and a competent heart surgeon. Anis complains to him about how exhausted he is. Morocco owns 9 free channels, seven of which are owned by the government, one that is privately owned Medi1 TV and one that has mixed ownership 2M 1.

Another traditional view can be seen in this scene; that which states that no daughters should marry before her older sister.

The interesting thing in this scene, however, is the fact that mother in laws are depicted as having the tendency to use emotions to win their grandchildren over to their sides. Amina ironically 201 that Karima is neither like rural girls nor Spanish ones. Mounia and Karima Episode 1, He complains that the water ruined his new shoe and Chama says that the shoe does not appear to be a new one at all.

This gives the impression that women, no matter how 22 Dar el Ghezlane, Episode 1 www. Remember me on this computer. Lakla eldest epizode offered to tend to the widows after the guests are gone while showing her frustration after mopping the floor of the whole house. Bahia in the Father’s Room Episode 1, Karima and the other women surprise everyone by shouting anti-men slogans and wearing manly clothes.

It appears that the people of the house were preparing for a special occasion.

Anis, then tries his last trick as he asks Dr. During the funeral, as the guests are mourning the dead eisode, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. It was chosen in order to shed light on how the conservative mentality regards women and it serves as a unique example of a series that features a feminist figure who originates from a rural area which is worth considering and putting under the microscope.